The Magical Painters

Story telling has taken on many platforms and the scrolls are a great place.

From the middle east with the Arabs, came the “Kari” or the art of the “qalam” that is the pen, so qalamkari or “Kalamkari” found a new home in the Krishna district of Andhra Pradesh.

Silk or cotton fabric is treated with Buffalo milk, then natural dyes are used to create and fill the images. The Srikalahasta school of Kalamkari is more of religious scrolls and every image is hand printed, while the Masulipattanam school uses block printing.

kalamkari 2
various dyes used in Kalamkari

The qalam or the pen used is made of bamboo or date palm sticks.

Art form came to India in 10 century CE, and was patronized by the Moghal and the kings of Golconda.

The fabric, the dyes are all natural.

The current Telangana government in a bid to preserve it, support the Kalamkari artists, it was wonderful to see youngsters, totally immersed in the learning this art at the Hyderabad literary festival. For them it was a connect with their roots it gave them a sense of belonging and pride.

The Shrikalahasta school was used create scrolls that visually narrated the various rendering from the folklore, while the Masulipattanam school caters more to the Islamic taste of its patron kings. The Karrapur style developed when the Marathas took it Thanjavur

kalamkari 1
various dyes used in kalamkari

These artists were Jadupatuas, or Duari Patuatas, the magical painters, the British carried it with them and it morphed to chintz and for the Dutch it was sitz and for the Portuguese it is “Pintado”

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